Movie streaming is not one app anymore. It is a stack of licenses, ad tiers, and interfaces that fight for the remote. This guide ranks services for watching films on purpose, not for infinite background TV.
How we pick movie streamers
Film catalog quality: depth of theatrical movies, not only series bait
Discovery that respects taste: search, collections, and human curation over sludge rows
Presentation: 4K, HDR, and audio options when the title supports them
Price honesty: ad-supported vs ad-free, bundle traps called out
Living-room apps: TV clients that do not feel like a phone UI stretched
Best overall film diet: a two-app stack
Most households do better with one broad studio app plus one taste app. Example pattern: a Disney Bundle or Max-style generalist for new releases and comfort rewatches, then Criterion Channel or a peers-of-Criterion option for intentional film nights.
Paying for five generalists usually means you scroll more and finish fewer movies.
Best for new releases and living-room defaults
Pick the generalist that matches the studios you actually watch. Disney-heavy households lean Disney+/Hulu. Warner / discovery catalogs lean Max. Universal / Peacock seasons lean Peacock. The “best” mainstream app is the one whose theatrical pipeline matches your last twelve months of tickets.
Best for film people: curated catalogs
Criterion Channel remains the cleanest intentional movie subscription for classics, restorations, and themed programming. If your goal is “pick a film, watch a film,” curated catalogs beat algorithm malls.
Best free-adjacent option
Free ad-supported tiers and library apps can cover a surprising amount of older theatrical film if you tolerate ads and weaker UIs. Use them as overflow, not as your only plan for premiere night.
Quick buy matrix
Family + Marvel / Star Wars / Pixar gravity: Disney Bundle lane
Premium TV and theatrical mix: Max or the current Warner flagship tier
Film-night discipline: Criterion Channel + one generalist
Already in Prime for shipping: